Near the end (when, by the way, the film has lost most of its subtle observation of human relations and become rather farcical), someone pitches a crazy idea to the film studio: What about doing a movie in which four movies happen simultaneously, all...read the complete Timecode (2000) review at The Land of Eric (Eric D. Snider)
The best expression that I can utter about this film is Wow!Four seemingly disparate storylines, filmed in real time merge into one compelling movie. This was a bold experiment in cinema, showing 4 films at once, drawing your attention to the frame the ...
True, Mike Figgis' great experiment is not an unqualified success, but it's so far from a failure that it deserves recognition. The split-screen shooting, which initially might seem a gimmick, quickly becomes a revelation. ...
THE NEW FILM MEDIUM OF THE FUTURE IS NOT EVEN FILM! IT IS DIGITAL VIDEO. THIS FILM IS QUITE BRILLIANT AND INNOVATIVE IN MANY WAYS. THE FIRST IS THAT FIGGIS BRINGS THIS NEW MEDIUM TO A FAIRLY CONVENTIONAL MAINSTREAM AUDIENCE. SURE, DOGME 95 IN ...
Split into four different sections, Mike Figgis' new film Timecode deals with the barriers people set up around themselves and how, even though we are all separated into our own microcosms, we are all connected. One of the main themes throughout the ...
Whatever. I mean, I appreciate the experimental nature of the film -- the screen split into four separate-but-interlocking screens, each shot in a continuously-running tracking shot, filmed on digital video. ...
Most people seem to hate or love this movie. The point is that Mike Figgis has laid out a template for an alternative cinema. A new, fresh format. The only way Mr Figgis could make the industry understand his concept was to actually make one. This movie ...