There's a keen and ugly sense of anguish to Stop-Loss, a caged sense of powerlessness beyond political outrage that makes this film far and away the most effective effort yet at capturing the frustration of the war in Iraq. ...read the complete Stop-Loss movie review at Detroit News (Tom Long)
Stop-Loss is far less about the Iraq War than a study of the soldiers and what makes them tick. Through her superlative script, Kimberly Peirce captures the heart of what makes soldiers do what they do even in light of the story's betrayal. ...read the complete Stop-Loss movie review at MightyGanesha.com (Diva Velez)
Sharply uneven, Peirce's film suffers from structural flaws in the first hour before assuming greater interest and focus in the second half, which details dramatically a controversial government policy; disregard the poster that looks like a youth comedy ...read the complete Stop-Loss movie review at EmanuelLevy.com (Emanuel Levy)
Stop-Loss can't quite decide whether to focus on making a powerful statement on a controversial and unfamiliar military policy or on a more predictable drama about the traumatic effect of war on young people's lives. ...read the complete Stop-Loss movie review at USA Today (Claudia Puig)
Comprised of bitter, beautifully observed truths butting up uncomfortably against loads of hoary Hollywood hooey, writer/director Kimberly Peirce’s extremely well-meaning Stop-Loss attempts to battle the trend of audience indifference toward Iraq War ...read the complete Stop-Loss movie review at Philadelphia Weekly (Sean Burns)
Stop-Loss is not a great movie, but it's forceful, effective, and alive, with the raw, mixed-up emotions produced by an endless war -- a time when the patriotism of military families is in danger of being exploited beyond endurance. ...read the complete Stop-Loss movie review at New Yorker (David Denby)
Boys Don’t Cry director Kimberly Pearce attempts to anchor the Iraq War debate in the lives of a specific subset of soldiers (Ryan Phillippe, Channing Tatum, and Joseph Gordon-Leavitt) and nearly pulls it off. But her promising premise runs into a rut o ...read the complete Stop-Loss movie review at New York Magazine (Logan Hill)