By general consensus, Billy Wilder's 1944 murder thriller, "Double Indemnity," was the first Film Noir movie, not because it was the first to mix German Expressionist lighting with a realistic urban American setting, and not because the hero--who is an ...read the complete Double Indemnity movie review at Hollywood Reporter (--)
L’agente assicurativo Walter Neff incontra l’affascinante Phyllis Dietrichson perchè lei ha intenzione di rinnovare l’assicurazione dell’auto di suo marito. I due sono immediatamente attratti uno dall’altra e ben presto progettano di uccidere ...read the complete Double Indemnity movie review at Film e Dvd
BBCi - Films
Tragedy is foretold from the outset as Walter Neff (MacMurray), nursing a gunshot wound, decides to record a confession. In devastatingly brusque voiceover he talks us through a series of flashbacks, starting from a fateful tête-à -tête with wily ...read the complete Double Indemnity movie review at BBCi - Films
Not every film I pick as an essential classic is a great film; Double Indemnity is one of those. The presence of Fred MacMurray alone is enough to take it down a few notches (sorry, personal jab). The reason I picked this movie is because it gives ...read the complete Double Indemnity movie review at Review
Slant Magazine
n accepted classic and archetypal film noir, Billy Wilder's Double Indemnity is visually drab and flabby around the edges. Its seamy tale of murder is not layered in any way; what you see (or, in Wilder's case, hear) is what you get. There are several ...read the complete Double Indemnity movie review at Slant Magazine
Is there something about older movies that makes us - I guess I should say 'me' - more forgiving? There was a time when ideas were new, at least to the silver screen. Is there something about a genre when it hasn't been explored to death ...read the complete Double Indemnity movie review at That Cow (Andrew Bradford)